Skip to main content

Mobile Ads

Coronavirus Outbreak: Maharashtra Governor lauds Sonu Sood for his initiative to help migrants reach home

Sonu Sood met Maharashtra governor Bhagat Singh Koshyari on Saturday at Raj Bhavan to notify him of the work he was doing to help migrants amid the coronavirus-induced lockdown. Sood has reunited thousands of migrant families during these testing times by arranging safe road travel to their native places.

(Click here to follow LIVE updates on coronavirus outbreak)

Sood briefed about his ongoing work to help the migrant people to reach their home states and to provide them food. The governor applauded Sood for his work and assured him support in these endeavours, read a tweet by the governer’s Twitter account.

Check out the post here

Sood on Friday came to the rescue of 117 girls as he helped them reach home in Odisha. The actor airlifted the girls who were stuck in Kerala Ernakulam due to the nationwide lockdown. After being informed by a close friend, Sood took permission from the government to have Kochi and Bhubaneswar airports opened. A special aircraft was arranged from Bengaluru to airlift 177 women from Kerala to Bhubaneswar and help them return to their families, reports Hindusatan Times.

The actor along with his friend Neeti Goel have won hearts of millions of Indians with their ''Ghar Bhejo'' initiative.

Sood facilitated several buses for workers stuck in Mumbai due to the coronavirus-forced nationwide lockdown. The actor has transported workers to far off states such as Karnataka, Bihar, Jharkhand and UP.

Recently, the actor launched a toll-free helpline to help migrants in reaching home.

The 46-year-old actor who is known for his roles in films like Singh is Kinng, Simmba and Dabangg is being hailed in the media for arranging hassle-free passage of migrant labourers to their respective homes.

(With inputs from agencies)


by FP Staff

Comments

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos