Skip to main content

Mobile Ads

Kareena Kapoor Khan completes 20 years in Hindi film industry, shares her first shot from debut Refugee

As Kareena Kapoor Khan completes two decades in the Hindi film industry on Tuesday, the Bollywood star says she is overwhelmed by the love and support she has received since her debut Refugee.

Directed by JP Dutta, the romance drama, which released on 30 June, 2000, marked Khan and Abhishek Bachchan's debut in Hindi films. Refugee was Dutta's follow-up to the 1997 blockbuster Border and was moderately successful at the box office.

Khan took to Instagram and shared a picture of the first shot from the film.

Here is her post

Good Newwz star said she was extremely grateful to her fans for their "love, support and strength" over the years. She thanked Dutta, her co-star Bachchan and everyone involved in the making of Refugee.

Bachchan played an Indian agent in the film who helps refugees cross the border and falls in love with a woman (Khan), who is on her way to Pakistan with her family.

Khan later went on to star in major hits including Kabhi Khushi Kabhie Gham, Aitraaz, Omkara and an acclaimed turn in Chameli.

She witnessed a career turnaround with Imtiaz Ali's Jab We Met in 2007, and has since starred in films such as Talaash: The Answer Lies Within, 3 Idiots, Udta Punjab, Bajrangi Bhaijaan, among others.

She will be next seen in Aamir Khan starrer Laal Singh Chaddha, the Hindi remake of the 1994 Hollywood classic Forrest Gump, headlined by Tom Hanks.

(With inputs from Press Trust of India)


by FP Staff
Labels:

Comments

Post a Comment

Popular posts from this blog

Oscars 2021 adds in-person UK hub for international nominees amid travel concerns during pandemic

With less than a month until showtime, the 93rd Oscars are taking another pass at the script. Show producers Steven Soderbergh, Jesse Collins and Stacey Sher remain determined to have an i n-person ceremony on 25 April in Los Angeles but told nominees on Tuesday in a virtual meeting that they’ve added a British hub after some backlash from nominees about international travel restrictions. The main event will still take place at Los Angeles’ Union station which will include a red carpet component but they are planning something special for the UK location. The show is also working with local broadcast affiliates around the world to provide satellite links for other international nominees. They said they are not totally ruling out Zoom but are hoping it doesn’t come to that. Although plans and requirements remain fluid, attendees have been told they’re expected to quarantine for 10 days prior to the show. And everyone is being told to bring a mask, even if the show is being designed...
Post a Comment
Read more

Coronavirus Outbreak: After Tenet, Disney's Mulan stands postponed; film will now release on 21 August

Hollywood’s hopes for salvaging its summer season have effectively ended after the releases of both Christopher Nolan’s Tenet and the Walt Disney Co’s live-action reboot of Mulan were again delayed. With reported cases of the coronavirus surging in parts of the US, Disney on Friday followed Warner Bros in pushing Mulan to late August. (Click  here  to follow LIVE updates on coronavirus outbreak) The film, initially planned to open in March, had been slated for 24 July. It’s now moving to 21 August. “While the pandemic has changed our release plans for Mulan and we will continue to be flexible as conditions require, it has not changed our belief in the power of this film and its message of hope and perseverance,” said Disney co-chairmen Alan Horn and Alan Bergman in a joint statement. "Director Niki Caro and our cast and crew have created a beautiful, epic, and moving film that is everything the cinematic experience should be, and that's where we believe it belongs — o...
Post a Comment
Read more

In conversation with Christopher Doyle, cinematographer of Wong Kar-Wai cinema: How we react to spaces energizes the film

The New Yorker critic Anthony Lane described the cinematography of Christopher Doyle as “a snake — savouring the air of the streets.” Across the Atlantic Ocean, on BBC , he is credited with “changing the look of cinema”. Doyle’s “anti-Hollywood” aesthetic, associated with the streaks of thick, luminous paint in Wong Kar-wai’s films, have a striking and lasting visual vitality. It has often been described as “post-modern” — though what that means exactly is everybody’s guess. My guess is the reliance, in his images, on feelings over narrative, on style over substance — the kind that skyrocketed post-World War II artists like Mark Rothko into fame. Rothko would just paint fields of colour, and people would stand and weep in front of his large, enveloping canvases. The effect of Doyle’s imagery is not much different.  For all his artistry, Doyle is flippant, moony, and charming. During an e-mail exchange produced below, edited for length and clarity, Doyle warns, “I think you s...
Post a Comment
Read more