Skip to main content

Mobile Ads

Helen Reddy, voice behind Delta Dawn, feminist anthem I Am Woman, passes away aged 78

Helen Reddy, who shot to stardom in the 1970s with her rousing feminist anthem I Am Woman and recorded a string of other hits, has died. She was 78.

Reddy’s children Traci and Jordan announced that the actor-singer died Tuesday in Los Angeles.

“She was a wonderful Mother, Grandmother and a truly formidable woman,” they said in a statement. “Our hearts are broken. But we take comfort in the knowledge that her voice will live on forever.”

Reddy’s 1971 version of 'I Don’t Know How to Love Him' from the musical Jesus Christ Superstar launched a decade-long string of Top 40 hits, three of which reached No 1.

The Australian-born singer enjoyed a prolific career, appearing in Airport 1975 as a singing nun and scoring several hits, including 'Ain’t No Way To Treat a Lady,' 'Delta Dawn,' 'Angie Baby' and 'You and Me Against the World.'

In 1973 she won the best female vocal pop performance Grammy Award for 'I Am Woman' quickly thanking her then-husband and others in her acceptance speech.

“I only have 10 seconds so I would like to thank everyone from Sony Capitol Records, I would like to think Jeff Wald because he makes my success possible and I would like to thank God because she makes everything possible,” Reddy said, hoisting her Grammy in the air and leaving the stage to loud applause. She also performed the song at the ceremony.

'I Am Woman' would become her biggest hit, used in films and television series.

In a 2012 interview with The Associated Press, Reddy cited the gigantic success of 'I Am Woman' as one of the reasons she stepped out of public life.

“That was one of the reasons that I stopped singing, was when I was shown a modern American history high-school textbook, and a whole chapter on feminism and my name and my lyrics (were) in the book,” she told the AP. “And I thought, `Well, I’m part of history now. And how do I top that? I can’t top that.′ So, it was an easy withdrawal.”

Reddy’s death comes less than three weeks after the release of a biopic about her life called I Am Woman.

The film’s director, Unjoo Moon, said the film resulted in a seven-year friendship with Reddy.

“I will forever be grateful to Helen for teaching me so much about being an artist, a woman and a mother,” she said in a statement. “She paved the way for so many and the lyrics that she wrote for ‘I am Woman’ changed my life forever like they have done for so many other people and will continue to do for generations to come. She will always be a part of me and I will miss her enormously.”

A performer since childhood, Reddy was part of a show-business family in Melbourne. She won a contest that brought her to the United States and launched her recording career, although she first had to overcome ideas about her sound.

“In my earlier days in Australia, I was considered to be more of a jazz singer,” she told the AP in 1991. “When I won the contest that brought me to this country, one person said, ‘The judges didn’t feel you could have a recording career because you don’t have a commercial sound.’”

Reddy retired from performing in the 1990s and returned to Australia, getting her degree in clinical hypnotherapy.

She later returned to California, where in the 1970s she had served on a statewide Parks and Recreation Commission, and returned to the stage occasionally.

In 2017 she performed I Am Woman at a Women’s March in Los Angeles, singing alongside actor Jamie Lee Curtis. Curtis said it was the “ honour of my life” to introduce Reddy at the event.


by The Associated Press

Comments

Popular posts from this blog

Oscars 2021 adds in-person UK hub for international nominees amid travel concerns during pandemic

With less than a month until showtime, the 93rd Oscars are taking another pass at the script. Show producers Steven Soderbergh, Jesse Collins and Stacey Sher remain determined to have an i n-person ceremony on 25 April in Los Angeles but told nominees on Tuesday in a virtual meeting that they’ve added a British hub after some backlash from nominees about international travel restrictions. The main event will still take place at Los Angeles’ Union station which will include a red carpet component but they are planning something special for the UK location. The show is also working with local broadcast affiliates around the world to provide satellite links for other international nominees. They said they are not totally ruling out Zoom but are hoping it doesn’t come to that. Although plans and requirements remain fluid, attendees have been told they’re expected to quarantine for 10 days prior to the show. And everyone is being told to bring a mask, even if the show is being designed...

Coronavirus Outbreak: After Tenet, Disney's Mulan stands postponed; film will now release on 21 August

Hollywood’s hopes for salvaging its summer season have effectively ended after the releases of both Christopher Nolan’s Tenet and the Walt Disney Co’s live-action reboot of Mulan were again delayed. With reported cases of the coronavirus surging in parts of the US, Disney on Friday followed Warner Bros in pushing Mulan to late August. (Click  here  to follow LIVE updates on coronavirus outbreak) The film, initially planned to open in March, had been slated for 24 July. It’s now moving to 21 August. “While the pandemic has changed our release plans for Mulan and we will continue to be flexible as conditions require, it has not changed our belief in the power of this film and its message of hope and perseverance,” said Disney co-chairmen Alan Horn and Alan Bergman in a joint statement. "Director Niki Caro and our cast and crew have created a beautiful, epic, and moving film that is everything the cinematic experience should be, and that's where we believe it belongs — o...

In conversation with Christopher Doyle, cinematographer of Wong Kar-Wai cinema: How we react to spaces energizes the film

The New Yorker critic Anthony Lane described the cinematography of Christopher Doyle as “a snake — savouring the air of the streets.” Across the Atlantic Ocean, on BBC , he is credited with “changing the look of cinema”. Doyle’s “anti-Hollywood” aesthetic, associated with the streaks of thick, luminous paint in Wong Kar-wai’s films, have a striking and lasting visual vitality. It has often been described as “post-modern” — though what that means exactly is everybody’s guess. My guess is the reliance, in his images, on feelings over narrative, on style over substance — the kind that skyrocketed post-World War II artists like Mark Rothko into fame. Rothko would just paint fields of colour, and people would stand and weep in front of his large, enveloping canvases. The effect of Doyle’s imagery is not much different.  For all his artistry, Doyle is flippant, moony, and charming. During an e-mail exchange produced below, edited for length and clarity, Doyle warns, “I think you s...