Skip to main content

Mobile Ads

Mukesh Khanna says '#MeToo began because women started working,' faces backlash on Twitter

Mukesh Khanna, known for his roles in Shaktiman, in a recent interview said that the #MeToo movement started because women began thinking themselves at par with men. The actor also added that it is the duty of women to take care of the household.

In an interview to Filmy Charcha, the actor said women and men are different. He went on to add that the job of a woman is to take care of household works and the problem of #MeToo began when women started working.

"Aaj aurat mard ke saath kandhe se kandha milane ki baat karti hai (Today, women talk about walking shoulder-to-shoulder with their male counterpart),” the actor added.

The actor further said, “Log women’s lib ki baat karenge, lekin main aapko bata doon, problem yahin se shuru hoti hai. (People talk about liberation of women, but let me tell you that the main problem begins from here)."

He said because of this the first person who suffers is their child. It is because the child does not have a mother taking care of him at home.

The actor even went on to say that it all began when women started saying that they want to do what men do. A man is a man and a woman is a woman.

The statement made by the actor was not well received by people who took to social media to lambast Mukesh. Critising his words, one user wrote, "Disgusting mindset," while another wrote, "What a disappointment."

Here's what others wrote:

According to a report by Hindustan Times, Mukhesh Khanna earlier refused to appear in The Kapil Sharma Show with the cast of Mahabharat and said the show was full of double meaning words, taking a turn towards vulgarity with every moment.

He also said that men in the comedy show, men wear women's clothes and do cheap things to make people laugh.


by FP Trending
Labels:

Comments

Post a Comment

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great ...
Post a Comment
Read more

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r...
Post a Comment
Read more

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos ...
Post a Comment
Read more