Skip to main content

Mobile Ads

Bacardi NH7 Weekender goes digital: From live shared experiences to global chats and watch parties, what's new this year

Never before have we been confronted by a crisis so massive that the possibility of returning to normalcy seems off the cards for a long time to come. As people resume some of their pre-lockdown activities gingerly — going to work, travelling by private vehicles on holidays, visiting the odd restaurant or two, etc. — caution hovers like the nimbus cloud, waiting to rain on our parade.

But the spirit of the happiest music festival on earth—the Bacardi NH7 Weekender—cannot be dampened. In its 11th year, the festival is set to follow the 2020 trend and has made elaborate plans to go digital over December 5 and 6. After all, even as several sectors have slowly begun to grind back to existence, the live events industry has reconciled with the fact that they’re going to be low on people’s priority lists for a long time to come.

Predominantly run on the principle of getting people together, often in hordes, the organisers Only Much Louder were clear about not endangering their audiences in any way, preferring instead to make a virtual outing out of it. However, if you think it’ll be just a series of concerts like an extension of compulsive YouTube watching, then you’re in for a surprise!

This edition of the festival will see major international and local artists across three different stages over two days. The likes of The Lumineers, Hiatus Kaiyote, Shruti Hassan ft. Murthovic & Karan Parikh, Prateek Kuhad, Raja Kumari, Phum Viphurit, FINK, Duckwrth, Kalamkaar Showcase among others, will perform exclusively curated sets befitting the virtual platform.

Says Manish Chandnani, vice-president, OML Live, OML Entertainment Pvt. Ltd, “The artists have been very forthcoming and equally excited to be able to deliver their set in this unique way. Most have sent us concept notes with ideas on how they wish for their set to be delivered to their fans. We’re very excited to have retained that new music discoverability aspect, which has always been a cornerstone of the festival.”

The artists are not the only new aspects to be discovered in this edition of the Bacardi NH7 Weekender festival. While an artist can broadcast his/her performance online, it still is an incredibly individual experience with people partaking in the music festival from the comforts of their homes. One of the most enjoyable aspects of a music festival has frequently been about interacting with fellow concertgoers, discovering music together, responding to artists live and finding likeminded people. The very humane nature of on-ground music festivals is missing in their digital avatars. This edition of Bacardi NH7 Weekender is about to change that.

Chandnani elaborates, “There is obviously no comparison to the feeling of being physically present at a music festival to a virtual experience. Having said that, we have been watching various digital experiences very closely and have managed to attend a few international ones. Besides these, the team has gathered a lot of feedback from producing and executing our own IPs, whether it was in the comedy space, or the conferencing or music space. We felt that the one significant aspect of going to a music festival is the sense of community and the shared experience. We’ve tried really hard to emulate that as best we could in this virtual edition. There will be various interactive touch points for the fans to interact with each other while enjoying the performances by their favourite artists. The team at Paytm Insider has made this possible.”

BNH7-Weekender-1-960x960-min

While going to a live gig seems so far beyond the horizon at this point, such tech endeavours aim to create a warm sense of community in an increasingly virtual world. Paytm Insider founder Shreyas Srinivasan and his team were driven by two very fundamental questions that enabled them to see their innovative ideas to fruition. “Why is a shared experience so transformative? And how can that translate into a digital experience? These two questions are so fundamental to our thought process. Because when we address these, we address what is it about shared experiences that enable us to create ever lasting memories. How we build the tech was secondary. How we can recreate the magic was first and foremost,” he says.

The latest offering from ticketing platform Paytm Insider takes us as close to that as has been done so far in India. Pioneering their unique digital events offering in the country to address on-ground and virtual events seamlessly, they’re at the threshold of forever altering how audiences and brands consume live events digitally. Simply put, their homegrown technology is set to bring back everything we find magical about being at a live event. Suited to events such as music festivals, concerts, conferences, parties and more, Paytm Insider’s innovation will work across formats and platforms, thus reimagining the digital event experience as we know it.

Srinivasan adds, “Paytm Insider has always been committed to creating immersive shared experiences. The lockdown has accelerated our implementation of a vision where pathbreaking technology helps in the recreation of the best elements of on-ground activities at virtual events. A hybrid of these two is the future and we’re delighted to have created a platform that brings creators and consumers so much closer. Our latest digital events offering will be unveiled at the multiple stages of the Bacardi NH7 Weekender.”

So what exactly does this edition of Bacardi NH7 Weekender have that hasn’t been done before in India? To start with, it replicates the experience of moving from one stage to another by allowing you to shift between performances. One of the best parts about live shared experiences has been discovering new music together and finding people with similar tastes, as well as enjoying the performances with your own set of friends. All of these are addressed through the global chat and watch party options, respectively. Invite your friends to a private watch party, catch the attention of the Spotlight feature, participate in polls and quizzes, and stand a chance to compete for prizes. You may interact with friends and newly discovered fans, or you may quietly partake in the music without engagement with others.

“There is an audience available for every experience that exists out there. The amount of funding that virtual reality has received in the past few months is testimony for the number of people taking to these tech innovations. I personally think that there is not going to be a normal on-ground experience like we’re used to, any time soon; should things begin, there will be a new normal to adhere to. As much as we’ll all be excited to get back on ground, ideally once things open up again in the future these virtual technologies and experiences could possibly become a way to add to the live experience,” says Chandnani.


by Lakshmi Govindrajan Javeri

Comments

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos