Skip to main content

Mobile Ads

Ram Charan's wife Upasana Kamineni tests negative for coronavirus, says they're in self-quarantine

Telugu star Ram Charan's wife Upasana Kamineni shared a picture of herself along with the actor on her Instagram profile. She captioned the image, "Quarantine with Mr C." Upasana revealed that she is COVID-negative for now but there still is a 'huge chance' of her contracting the virus.

"This too shall pass. Hopeful for a better 2021. No symptoms and he's holding strong. I tested negative but there's a huge chance of me becoming COVID positive. For now its home quarantine with Mr C. Loads of warm liquids, steam inhalation and rest," she wrote.

See the post

Ram Charan on 29 December tweeted that he had tested positive for COVID-19. He tweeted, "Request all that have been around me in the past couple of days to get tested. More updates on my recovery soon."

The actor revealed that he has not shown any symptoms and is quarantined at home. He stated that he hopes to heal soon and come out stronger.

Mahesh Babu soon replied to the tweet, writing, "Take care Charan... Wishing you a quick recovery! Stay safe."

Actor Sushanth too wished Ram Charan a speedy recovery.

Since being tested positive for COVID-19 Ram Charan has thanked everyone for their concern, writing, "Thanks for all the wishes and thank you for the concern."

On the work front, Ram Charan will next be seen in writer-director SS Rajamouli's Rise Roar Revolt (RRR).

Rajamouli resumed shoot for the film in October, nearly seven months after filming was halted due to the COVID-19 pandemic.

The actor drama narrates the tale of the lives of two freedom fighters in the early 20th century. Ram Charan plays the role of Alluri Sitarama Raju while NT Rama Rao Jr plays the role of Kumram Bheem.


by FP Trending

Comments

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos