Skip to main content

Mobile Ads

The DJ Snake interview | 'COVID and everything going digital has made me want to capture more organic sounds in my music'

French artiste DJ Snake, best known for instant global hits like 'Turn Down For What,' 'Lean On,' 'Let Me Love You,' and 'Magenta Riddim,' has made a career out of rich collaborations with sensations like Justin Bieber and Major Lazer among others.

His most recent collab is a reunion with 'Taki Taki' partner-in-crime Selena Gomez for 'Seflish Love,' part of the American singer's fourth EP Revelación, which released earlier this month. In an exclusive interview, Snake discusses composing for the Spanish single, adjusting to virtual gigs in the times of coronavirus, and how the youth are dominating the global music industry today.

How excited were you that your second collaboration with Selena after 'Taki Taki' was in Spanish?

Excited for sure. Selena and I have been talking about doing another song for a while now so it feels good to get it out.

How difficult is it to make music for a language you are not entirely familiar with?

Not difficult actually. I’ve always loved Spanish music so I have a sense of what feels right. The language doesn’t matter as much as if the song feels right. That’s the best part about the music – it’s universal and crosses barriers.

Why do you think the sentiment behind this song, 'Selfish Love', is echoing widely with listeners beyond the Spanish-pop base?

Spanish music has really taken over the world the last couple years so I think non-Spanish speaking people don’t even think about it anymore. It’s all about the vibe. Plus, 'Selfish Love' being in English and Spanish makes it a nice balance for some people.

'Selfish Love', besides being in Spanish, also has Afrobeat elements and Latin influences. Why was such a multicultural sound important for this track?

It wasn’t important for the track as it was important for me. For me, I have to mix my influences like this or else I’m not happy with what I’m making.

This year, Grammy's turned out to be a celebration of women and the youth. How do you think those two demographics are shaping music today?

The youth always drive the culture, and that’s who I want to speak for and give voice to. Thankfully, women today and in the youth are pushing boundaries and doing things nobody has ever seen before. I love it.

Do you believe virtual gigs are here to stay thanks to the pandemic or will live events bounce back sooner than we imagine?

For me, there’s nothing like live events and nothing digital can compare.

You have mentioned La Haine as one of your major inspirations. What part of that film pushed you to take up music?

There’s a scene where DJ Cut Killer is DJing out his window to his people, and it was a huge inspiration for me early on growing up in Paris.

How do you think this past one year of pandemic, lockdown, and social distancing has changed the sound of music today?

I know I am working and making music with more organic sounds and feelings. I think COVID and everything being more digital has made we want to capture organic sounds more in my music.


by Devansh Sharma

Comments

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos