Skip to main content

Mobile Ads

Simon Cowell drops out of X Factor Israel jury duty, network's spokesperson confirms

Record producer and television personality Simon Cowell has cancelled his scheduled appearance as a judge on the upcoming season of The X Factor Israel.

A spokesman from Reshet, the network which produces the show, has told Variety that Cowell has cancelled the scheduled appearance “for his own reasons”. Further, Reshet has not commented whether Cowell is associated with X Factor Israel in any other way outside of judging.

The 61-year-old music mogul last December signed a deal to serve as one of the judges on the fourth instalment of the Israel version of the singing reality show. At that time, he had commented, “I can barely wait to see what the Israelis have to offer”. This would have been Cowell’s first time being a judge of an international X Factor outside of the US and UK versions.

As per a Reshet representative, Cowell’s staff had reached out to the makers with “legitimate concerns” over his participation in the show after the violence broke out between Israel and Gaza but at that time, no final decision was taken.

Representatives for Cowell did not respond to multiple requests for comment.

Cowell broke his back in a bike accident last year and had to take a break from work for surgery and extensive rehab and recovery.

TV presenter Liron Weizman will host The X Factor Israel, which is slated to begin shooting this summer.

In the new season, Mizrahi singer Margalit Tzan'ani, singer-songwriter Aviv Geffen, and singer and Eurovision 2018 winner Netta Barzilai will serve as judges. After Cowell's exit, a fourth judge is yet to be named.

Cowell currently appears as a judge on America's Got Talent.

(With inputs from Press Trust of India)


by FP Trending

Comments

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos