Skip to main content

Mobile Ads

Length has never mattered to me: Ila Arun on her small yet significant part in Vidya Balan's Sherni

There were some people who asked Ila Arun why she took up a small part in Sherni, headlined by Vidya Balan. But the veteran Rajasthani folk singer-actor says the length of a role is immaterial to her in an important film, like the recently-released satirical thriller on conservation.

The movie revolves around Balan's Vidya Vincent, an upright forest officer who is tasked to resolve the man-animal conflict.

Written by Aastha Tiku, Sherni has garnered praise for its nuanced narrative set around the challenges faced by Vidya in her professional and personal life.

The 67-year-old, best known for songs like Choli Ke Peeche, Morni Baaga Ma Bole, and Ringa Ringa, said she was happy to be director Amit Masurkar''s first choice to play the character of Vidya's mother-in-law.

“He (Amit) told me ‘I want you’ and that he has faith in me. I have a small role to play but the way the director thought and imagined this character is great. He wanted that effect, sensitiveness. And I tried to keep the director’s faith intact by doing what was required of me,” Arun told PTI in a Zoom interview.

"There were some who did tell me why I did such a small role... But as an artiste I am very greedy for good work," she added.

Arun said she is happy with the way the film has been received by the audience and critics.

"Looking at the reaction, I am proud it has been successful and has made an impact. Everybody is looking real and that’s the biggest achievement. To be part of Sherni is a feather in my cap because there are a lot of people complimenting the film and me."

Her character — a woman who is proud of Vidya's professional achievements but expects her to be a "dutiful" daughter-in-law in her personal life — drives home an important point about patriarchy, an important theme in the movie.

“My role has been kept here to show that this officer (Balan) can have many pressures like personal and family to the forest and political pressures, like (from family standpoint) the daughter-in-law is expected to be a certain way.”

Though there are many layers in the film, Arun said, Sherni is a film made "straight from the heart".

“This is a very important film and to be part of it in a very small way is a great achievement. This film is handled sensitively by the writer and director, especially the nexus of politicians, officers or poachers, local people,” she said.

The actor, whose film credits include Mandi, Welcome To Sajjanpur, Jodhaa Akbar, and Raat Akeli Hai, said for her it has always been about staying true to the character she plays on screen.

“My journey has been special, be it in parallel or meaningful or in any other cinema. I always respected the character that has been given to me. It was clear that I was not (going to be) the heroine of the films I act in. Length has never been my issue. For me, it is about how effectively and honestly I can play my characters.”

Also starring Sharat Saxena, Neeraj Kabi, Vijay Raaz, Brijendra Kala and Mukul Chadda, Sherni is currently streaming on Amazon Prime Video.


by Press Trust of India

Comments

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos