Skip to main content

Mobile Ads

Kartik Aaryan to lead Ekta Kapoor-produced Freddy; Shashanka Ghosh nabbed as director

Actor Kartik Aaryan has been tapped to play the lead role in director Shashanka Ghosh's romantic thriller movie Freddy.

The film will be produced by Ekta Kapoor's Balaji Telefilms and Jay Shewakramani's banner Northern Lights Films.

Aaryan, 30, said as an artiste he aims to explore different genres and Freddy provided him that opportunity.

Check out the post here

I'm venturing into an uncharted territory that is both exciting and intriguing in equal measures. I look forward to dwell in the world of Freddy and bring alive this dark romantic thriller, the actor said in a statement.

Freddy marks the Luka Chuppi actor's first collaboration with Kapoor, Shewakramani and Ghosh.

Kapoor said she is excited to start the work on the film, which goes on floors here on Sunday.

I'm thrilled to have Kartik on board. His choices of subject have always been unique and this one is no different. Collaborating with Jay makes it even more special."

Ghosh, who has previously worked with Kapoor on Veere Di Wedding, said the team wants to give the audience a "thrilling" cinematic experience with Freddy.

As a filmmaker, there is a lot to play with the genre, like a thriller. I am sure that the film is going to be one of the best thrilling cinematic experiences for the audience across the nation, he said.

Shewakramani said he is happy to have joined hands with Kapoor and Aaryan.

Besides Freddy, Aaryan is also working in Ram Madhvani-directed action-thriller Dhamaka, Anees Bazmee's horror-comedy Bhool Bhulaiyaa 2 and action-drama Captain India, to be helmed by Hansal Mehta.

(With inputs from Press Trust of India)


by FP Staff

Comments

Popular posts from this blog

Oscars 2021 adds in-person UK hub for international nominees amid travel concerns during pandemic

With less than a month until showtime, the 93rd Oscars are taking another pass at the script. Show producers Steven Soderbergh, Jesse Collins and Stacey Sher remain determined to have an i n-person ceremony on 25 April in Los Angeles but told nominees on Tuesday in a virtual meeting that they’ve added a British hub after some backlash from nominees about international travel restrictions. The main event will still take place at Los Angeles’ Union station which will include a red carpet component but they are planning something special for the UK location. The show is also working with local broadcast affiliates around the world to provide satellite links for other international nominees. They said they are not totally ruling out Zoom but are hoping it doesn’t come to that. Although plans and requirements remain fluid, attendees have been told they’re expected to quarantine for 10 days prior to the show. And everyone is being told to bring a mask, even if the show is being designed...

Nayanthara, Vignesh Shivan to marry on 9 June; here's all you need to know

Filmmaker Vignesh Shivan and Nayanthara are all set to get married tomorrow, 9 June. Shivan made an announcement about the same on Tuesday, 7 June in an interaction with the media. Talking about their wedding venue, Shivan informed that the wedding will take place at a private resort in Mahabalipuram . Shivan also spoke about the change in the wedding venue from Tirupati to Mahabalipuram. The filmmaker said that the couple wanted to get married in a temple but due to issues in logistics, it was difficult to bring their families to Tirupati. So, they decided to change the wedding venue to Mahabalipuram. He added that the wedding will be attended by close friends and family members. The rumours regarding their wedding began after the duo was clicked with Tamil Nadu Chief Minister MK Stalin and reports claimed that the couple had gone to invite the Chief Minister for their special day. Nayanthara and Vignesh Shivan had met each other in 2015 for the first time during the nar...

In conversation with Christopher Doyle, cinematographer of Wong Kar-Wai cinema: How we react to spaces energizes the film

The New Yorker critic Anthony Lane described the cinematography of Christopher Doyle as “a snake — savouring the air of the streets.” Across the Atlantic Ocean, on BBC , he is credited with “changing the look of cinema”. Doyle’s “anti-Hollywood” aesthetic, associated with the streaks of thick, luminous paint in Wong Kar-wai’s films, have a striking and lasting visual vitality. It has often been described as “post-modern” — though what that means exactly is everybody’s guess. My guess is the reliance, in his images, on feelings over narrative, on style over substance — the kind that skyrocketed post-World War II artists like Mark Rothko into fame. Rothko would just paint fields of colour, and people would stand and weep in front of his large, enveloping canvases. The effect of Doyle’s imagery is not much different.  For all his artistry, Doyle is flippant, moony, and charming. During an e-mail exchange produced below, edited for length and clarity, Doyle warns, “I think you s...