Skip to main content

Mobile Ads

John Abraham, Arjun Kapoor's Ek Villain sequel to release in cinemas on Eid 2022

John Abraham and Arjun Kapoor-starrer Ek Villain Returns will be hitting the theatres countrywide during the occasion of Eid festival in 2022, the film's makers announced on Wednesday.

The action-thriller, produced by Ekta Kapoor under her banner Balaji Telefilms and Bhushan Kumar’s T-Series, will release on July 8, the makers said in a statement.

Also starring Disha Patani and Tara Sutaria, the movie is a sequel to filmmaker Mohit Suri's 2014 hit Ek Villain.

Kapoor said she is excited about the release of Ek Villain Returns, which has bigger action, thicker suspense and double drama.

"Ek Villain is Balaji’s most special flagship franchise and now Ek Villain Returns will keep the audience on the edge of their seats. I have loved every moment of making this film and am thrilled that the movie will have an Eid release.

"We are looking forward to giving the audience an out-and-out power-packed theatrical experience," the 46-year-old producer said.

Echoing similar sentiments, Kumar said the sequel has been made on a bigger scale.

''The movie deserves an Eid release and I’m so excited that we are doing justice to the movie. You will not want to miss all the action that we have in store for you," Kumar said.

Ek Villain Returns was earlier scheduled to arrive in cinema halls on 11 February, 2022.


by FP Staff
Labels:

Comments

Post a Comment

Popular posts from this blog

Oscars 2021 adds in-person UK hub for international nominees amid travel concerns during pandemic

With less than a month until showtime, the 93rd Oscars are taking another pass at the script. Show producers Steven Soderbergh, Jesse Collins and Stacey Sher remain determined to have an i n-person ceremony on 25 April in Los Angeles but told nominees on Tuesday in a virtual meeting that they’ve added a British hub after some backlash from nominees about international travel restrictions. The main event will still take place at Los Angeles’ Union station which will include a red carpet component but they are planning something special for the UK location. The show is also working with local broadcast affiliates around the world to provide satellite links for other international nominees. They said they are not totally ruling out Zoom but are hoping it doesn’t come to that. Although plans and requirements remain fluid, attendees have been told they’re expected to quarantine for 10 days prior to the show. And everyone is being told to bring a mask, even if the show is being designed...
Post a Comment
Read more

Nayanthara, Vignesh Shivan to marry on 9 June; here's all you need to know

Filmmaker Vignesh Shivan and Nayanthara are all set to get married tomorrow, 9 June. Shivan made an announcement about the same on Tuesday, 7 June in an interaction with the media. Talking about their wedding venue, Shivan informed that the wedding will take place at a private resort in Mahabalipuram . Shivan also spoke about the change in the wedding venue from Tirupati to Mahabalipuram. The filmmaker said that the couple wanted to get married in a temple but due to issues in logistics, it was difficult to bring their families to Tirupati. So, they decided to change the wedding venue to Mahabalipuram. He added that the wedding will be attended by close friends and family members. The rumours regarding their wedding began after the duo was clicked with Tamil Nadu Chief Minister MK Stalin and reports claimed that the couple had gone to invite the Chief Minister for their special day. Nayanthara and Vignesh Shivan had met each other in 2015 for the first time during the nar...
Post a Comment
Read more

In conversation with Christopher Doyle, cinematographer of Wong Kar-Wai cinema: How we react to spaces energizes the film

The New Yorker critic Anthony Lane described the cinematography of Christopher Doyle as “a snake — savouring the air of the streets.” Across the Atlantic Ocean, on BBC , he is credited with “changing the look of cinema”. Doyle’s “anti-Hollywood” aesthetic, associated with the streaks of thick, luminous paint in Wong Kar-wai’s films, have a striking and lasting visual vitality. It has often been described as “post-modern” — though what that means exactly is everybody’s guess. My guess is the reliance, in his images, on feelings over narrative, on style over substance — the kind that skyrocketed post-World War II artists like Mark Rothko into fame. Rothko would just paint fields of colour, and people would stand and weep in front of his large, enveloping canvases. The effect of Doyle’s imagery is not much different.  For all his artistry, Doyle is flippant, moony, and charming. During an e-mail exchange produced below, edited for length and clarity, Doyle warns, “I think you s...
Post a Comment
Read more