Skip to main content

Mobile Ads

Before Amitabh Bachchan's Jhund releases in theatres, let's take a look at some of the unknown facts about the film

1.     Jhund is a rarity in Mr. Bachchan’s career. For a change, he plays a real-life character. In most of his films barring Ram Gopal Varma’s Sarkar where he played a character modeled on Bal Thackeray, Mr. Bachchan has played seething simmering sometimes smirking larger-than-life fictional characters. I am not counting the umpteenth occasions when he has played himself in cameo roles in Pet Pyaar Aur Paap, Kaun Jeeta Kaun Hara, Jalwa, Chashme Buddoor, Hero Hiralal, Biwi No.1, Ramji Londonwaley, the Marathi film Akka, and the Kannada film Amrithadhare.

2. In Jhund Mr. B plays Vijay Barse, a legendary figure among street children of Nagpur, Vijay Barse motivated underprivileged kids to play football. Interestingly, the name Vijay follows Mr. Bachchan even into his first TrueBlue-biopic. The megastar-actor par excellence spent a large part of his life playing the character of the Angry Young Man Vijay written by Salim-Javed for deathless classics such as Zanjeer, Deewaar, Shakti, Sholay, and Trishul.

3. Director Nagraj Manjule whose stunning Marathi film Sairat set new box-office records in Marathi cinema, is a huge Amitabh Bachchan fan. He has watched each one of the Bachchan classics 10-12 times. In his heydays, Manjule would even tuck(or rather, untuck) his shirt like Mr. B In Deewaar. However, on the sets it is a isn’t a fan directing the iconic superstar(remember Puri Jagannadh and his weirdly-spelled Bbuddah... Hoga Terra Baap?). Rather than play the fanboy, Manjule gets another classic ‘Vijay’ performance out of his hero.

4.     Jhund began shooting in December 2018. It was hit by several problems. The original producers backed out. It was only when T Series and Bhushan Kumar stepped in that the project finally took off. After two years of determined abstinence from the OTT platform, Jhund is finally going where it belongs: on the big screen.

5. In the interim, director Nagaraj Manjule gave a stunning performance as a pedophile in the disturbing Marathi film The Silence. It isn’t a role that most actors, no matter how dedicated would like to touch. But Nagaraj Manjule has never shied away from going where the angels fear to tread. He is a rebel, one with a cause. The plight of the underprivileged and disempowered sections of society concerns Manjule’s cinema deeply.

6.     Sairat and before that, Fandry remain two of the most significant Marathi films on caste discrimination, directed by Nagraj Manjule. The Sairat co-stars Akash Thosar and Rinku Rajguru also play significant roles in Jhund. But make no mistake: this is an out-and-out one-man show powered by the greatest star-actor India has known. Yup, Vijay is back.

Subhash K Jha is a Patna-based journalist. He's been writing about Bollywood for long enough to know the industry inside out.


by Subhash K Jha

Comments

Popular posts from this blog

Watch The Sound with Mark Ronson Apple TV+ explores the curious link between music and technology

In The Salmon of Doubt , Douglas Adams writes: “I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary, and is just a natural part of the way the world works. 2. Anything that's invented between when you’re 15 and 35 is new and exciting and revolutionary, and you can probably get a career in it. 3. Anything invented after you're 35 is against the natural order of things.” Cut to the world of music. As much as technology has been a driving force in the industry, the advent of any innovation has often been received with skepticism before it goes on to become the norm. Harnessing that interplay between the creative process of making music and the technological enhancement given to said music, is acclaimed DJ and producer Mark Ronson. In his just-released six-part mini-docuseries Watch the Sound with Mark Ronson , he astutely defines how different the process of creating a great

Studying women presidents and prime ministers on screen, from Meryl Streep in Don't Look Up to Dimple Kapadia in A Thursday

In 2016, when I heard Hillary Clinton had lost the US Presidential race to Donald Trump, I took it as a confirmation that this is how much the US hated its women. And I felt temporarily gratified to live in a country which elected a woman as its third prime minister. This was before I remembered Indira Gandhi was the only woman prime minister we have had, and she was an outlier. Her strong and uncompromising leadership style skews meaningful analysis of gender representation in governance. Anyway, for all the breaking of paths and glass ceilings, trailblazers like Gandhi and Iron Lady Margaret Thatcher commonly belong to conservative or traditional parties. Left to the simultaneously imaginative and mimetic art of comedy, the first woman US president looks like Meryl Streep’s Janine Orlean in Don’t Look Up and Julia Louis Dreyfus’ Selina Meyer in the HBO show Veep . They are both are anti-feminists and women of power. Yet they could not be more different in how they reflect the r

Netflix's Lupin acknowledges dangers of fantasies of omnipotence, introducing viewers to a socially conscious gentleman thief

By Emma Bielecki Netflix’s immensely successful new French-language show Lupin has introduced a new generation of anglophone viewers to one of the most popular characters in French popular fiction, Arsène Lupin, gentleman thief. Lupin was created in 1905 by the writer Maurice Leblanc at the behest of publisher Pierre Lafitte, who had recently launched a general interest magazine, Je Sais Tout . Lafitte wanted a serial that would guarantee a loyal readership for his magazine, as the Sherlock Holmes stories had for the Strand Magazine. Drawing inspiration from Conan Doyle and EW Hornung’s Raffles stories, Leblanc obliged by creating a flamboyant and ultimately always benign trickster figure. Cat burglar, con artist, master of disguise, Lupin is also a brilliant detective and righter of wrongs. His appeal has proved enduring: in addition to the original 20 volumes of stories authored by Leblanc, there have been countless plays, radio shows, TV series and films, from Italian pornos